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Hello, there. I’ve been a little lax in my review posting because we’re in the process of moving. Very soon, next week in fact, I will be able to call the lovely city of Seattle my home. While I may not have been posting lately, I have been reading (stress related escapism) and have four books to review in the next week or two: Cold Magic and Cold Fire by renown fantasy author Kate Elliot, Hallowed by Cynthia Hand, and Arcadia by Lauren Groff. I’ll also be posting an IMM this Sunday to let you know what I’ll be reading on that long-ass drive west. Additionally, Kingdoms of Amalur: Reckoning came out this week and I’ve pretty much been playing it whenever I’ve not been packing. It’s awesome, and I might post a little review/blurb about it because I love it that much. If you’re not a gamer, or if you are but haven’t tried it yet, then you’re missing out on some serious gaming fun.
After seeing rave review after rave review on Goodreads and Amazon, I downloaded Cinder by Marissa Meyer (Feiwel &Friends, 1/3/12) and ended up finishing it in one sitting. Yes, the book was that good, and all of the glowing praise is justified. Cinder takes place in New Beijing, 128 years after WWIV. World peace has lasted this long mainly because of a global peace treaty signed by all of the major nations after the war. There is one nation, however that has refused to sign and poses a new threat to not just the Commonwealth of New Beijing, but to the whole of planet Earth: the Lunar people, who reside on the Moon. Peace negotiations have been underway for the last 20 or so years between the Lunars and the Emperor of New Beijing, but with the emperor sick from a sweeping and as-of-yet-incurable plague, and his untested teenage son about to inherit the title of Emperor, nothing is certain.
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Remember those fun (but mind-numbingly long) personality tests you used to have to take in high school? You know, the ones where you learn what combination of I-N-S-T-J-P-F-E you are? (I honestly can’t remember mine but I know the first two letters were I and N, which means that I’m an intuitive introvert). Or what your color or animal you were (red and lion, oddly enough. I must have cheated on one of them). I’m not sure if they still give the Meyers-Briggs in schools, but it’s no secret that those kinds of questions are becoming ubiquitous on job applications. It’s also no secret that collaborative learning and working environments are taking over, which can be a serious problem for introverts, or anyone whose letter personality starts with I. A new book by Susan Cain, Quiet: The Power of Introverts in a World That Can’t Stop Talking (1/24/12), argues that together is not always better, and that there is power in individuality. In a recent NYT article, “The Rise of the New Groupthink,” Cain writes:
SOLITUDE is out of fashion. Our companies, our schools and our culture are in thrall to an idea I call the New Groupthink, which holds that creativity and achievement come from an oddly gregarious place. Most of us now work in teams, in offices without walls, for managers who prize people skills above all. Lone geniuses are out. Collaboration is in.
Little clueless me thought we were still in the heyday of Office Space, where one of the biggest gripes was how small your cubicle was. Aren’t corporateemployees just stuffed into little 4×4 cells, forced to toil away behind drab, concrete colored fabric pretend walls, with no human interaction beyond headsets and water-coolers? I thought that was the existential dilemma facing today’s corporate drones. Well, apparently not. Now they’re complaining about a lack of walls. Now they’re saying they have no private space in which to hide, to rest, to retreat, at least according to Cain. This does not bode well for those creative types:
But there’s a problem with this view. Research strongly suggests that people are more creative when they enjoy privacy and freedom from interruption. And the most spectacularly creative people in many fields are often introverted, according to studies by the psychologists Mihaly Csikszentmihalyi and Gregory Feist. They’re extroverted enough to exchange and advance ideas, but see themselves as independent and individualistic. They’re not joiners by nature…One explanation for these findings is that introverts are comfortable working alone — and solitude is a catalyst to innovation.
Sheesh. Why can’t everyone who has jobs just be happy with them? Why can’t we be happy for them? Why can’t we just be happy? Well, for one thing,
centuries of Romantic idealism has taught us that there is no one-size-fits-all approach to anything involving human interaction. We have gone from the nameless masses to the individualistic and ego encompassing “I” that tells us we can not only choose what we want, but that we have the right to have it too. Am I attacking modern human existence? Not really, but there are some problems with it. Cain’s answer in the NYT piece is “to move beyond the New Groupthink and embrace a more nuanced approach to creativity and learning. Our offices should encourage casual, cafe-style interactions, but allow people to disappear into personalized, private spaces when they want to be alone. Our schools should teach children to work with others, but also to work on their own for sustained periods of time.” If cubicles aren’t the answer to the modern corporate employee’s existential crisis, but neither is open, privacy negating space, then what’s next? Giving everyone their own office? Maybe when hell freezes over, says the multi-billion dollar CEO.
Reading this puts me in mind of Ayn Rand’s famously anti-social, introverted, hard-core capitalistic protagonists. The comparison isn’t perfect (and if you hate me for it go ahead and tell me about it in the comments), but it’s the middle of the Republican primaries, and with all the political rhetoric floating around, I can’t help it. I love Rand’s books (yeah, I do), but I disagree with the ferocity of her politics and ideologies. I’m also put in mind of a book that came out several years ago: Anneli Rufus’s Party of One: The Loners’ Manifesto. I’m not sure Cain’s “new groupthink” is all that new but I like Cain’s suggestion for a nuanced approach to work and school environments, but I wonder how many corporations are willing to be so nuanced in an age of numbers over anything else. I think there’s more room for nuance in education, and it’s up to teachers to recognize the needs of her or his students and to schoolboards to allow teachers the freedom to teach with the individual student’s best interest in mind, not just test scores and state/government funding. I’ve taught freshman college English for the past year, and I’m training to teach HS English, so I am very interested in these kinds of discussions. Collaboration does have its place, as Cain notes, but so does solitude. What she recommends, and what I agree with most, is a balanced approach to both.
Cain, Susan. “The Rise of the New Groupthink.” NYT. 13 Jan. 2012. Web. 18 Jan. 2012
I’ve never posted a book trailer before, let alone watched many of them. I think part of the reason is that I don’t really see the point of them. When did their existence begin? Do they really help market the book? I’ve seen a few, at least, in the past few months, and none of them were as remarkable as the one for Ben Marcus’s new book The Flame Alphabet, out on the 17th from Knopf. For your viewing pleasure:
Feel free to let me know what you think of it, of book trailers in general, or how this one compares to other book trailers. I’m posting it because I think it goes above and beyond the few that I have seen. It’s its own short little movie almost, and reminds me of some of the messed up adult cartoons on Cartoon Network’s Adult Swim, of which I am a huge fan. If I’m way off base with any of these comments, please do let me know, and point me in the direction of book trailers you love or think are representative of the medium. Otherwise, happy watching!
Please note: This book trailer was not made by me. It was made by Erin Cosgrove. I should have made this clearer and given credit to Cosgrove in the original post. I apologize for any confusion.
I came across this great little video in my FB feed and thought I would share it with all of you. This video, “The Joy of Books” was made by Sean Ohlenkamp, his wife and a whole host of volunteers at Type bookstore in Toronto. The custom music was composed by Grayson Matthews.
While browsing Book Riot the other day, I came across an article by Rebecca Joines Schinsky that discusses the advantages of required advance reading lists for classes and wonders is there should be one for everyone, so that we would all have common ground. She also wonders if it might help make us better people. Plausibility not an issue, I wondered what I would include on such a list. Schinsky’s three were: What It Is Like to Go to War by Karl Marlantes, Fahrenheit 451 by Ray Bradbury, and From Margin to Center by bell hooks. I think I would have to include War and Peace (trans. by Pevear and Volokhonsky) (yes, I’ve actually read it) by Leo Tolstoy and The Handmaid’s Tale by Margaret Atwood. What would you include?
TQ6XG624YUSH (please disregard this text, it’s for blog authentication purposes only, as is this post.)
While browsing and catching up on the interwebs this morning, I cam across this article on salon.com via Random House’s twitter feed (how random is that? Haha. Ok, sorry). The article, What Occupy can learn from the Hunger Games (1/8/12), is by Mike Doherty, and claims that Occupy movements should look to the heroes of teen dystopian fictions for idea on how to “evict” an ideology or idea that is repressive and harmful to society at large; in other words how to protest an idea, not just a government:
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In My Mailbox (IMM) is a blog hop hosted by Kristi at thestorysiren.com.
Lots of fun new things for this week’s IMM. Here’s a list of stuff I bought and stuff I got for review: Continue reading…
*This is a review of an uncorrected proof that was won through Librarything.com.

After his son pulls through a life-threatening illness, Solomon Kugel decides to leave the city and heads to the country for a fresh start with his family. They buy an old farmhouse in the quiet town of Stockton, New York which was “famous for nothing. No one famous had lived there, no famous battles had been waged there, no famous movements arose there, no famous concerts had been held there.” Or so Kugel thought. Little does he know, he’s got a living piece of dead history up in the attic stinking up the whole place. There’s also an arsonist on the loose burning down old farm houses, his marriage is strained, and his career is quickly loosing steam. On it’s most basic level, Hope: A Tragedy is about Kugel’s attempt to deal with these situations. But the novel is also about the attempts, vain attempts as Professor Jove (Kugel’s (imagined?) therapist) might say, to deal with living.
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Clara is your average 16 year old high-schooler, except for the fact that she’s a quarter angel. As such, she just a little bit better at everything (except fly-fishing, apparently). But in order to not make our heroine too perfect, Hand gave her a head of wild unruly hair that for much ofthe book is orange, but which occasionally shines a beautiful, awe-inspiring gold, halo-style (cause of the whole angel thing, you see). She also can’t fly, despite her fluffy white wings. All nephilim are given a purpose from God, and it is their sole reason for existing on earth. (Big aside: Hand uses the term nephilim to reference all humans born from angels or who have angel blood, though after doing a bit of research, I disagree with her usage. The etymology of the word does include the idea of “fallen,” but in most texts, including the apocryphal Book of Enoch (which covers the war in heaven and the fall of the angels), the nephilim are giants. While they are stil the offspring of angels and female humans, there isn’t much to suggest that they would be angelic, nor would it be likely that they would be approved servants of God. There are places where the term is used as a generic reference to the fallen angels, but for the most part, the term nephilim refers to the giant offspring of angels and humans. End of Big aside). Some are messengers or witnesses, others are protectors. Clara seems to fit into the latter category as her vision of her purpose suggests that she will save some random boy from a forest fire.
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